Film makers have a great role in making history relevant to the masses.
Especially, in the times we live, when not many have the time to read about
events that shape our today. The film maker has an added edge, the power to
give a visual element, recreate an event and leave it etched in the minds of
the audience. So, when they decide to make a film, on an event that has played
an emotional part in a nation’s conscience, it is important for them to
recognise the enormous responsibility they are signing up for. Putting
out a disclaimer “That all characters in the film are fictitious” does not
absolve the film maker of this responsibility.
Yes, not all film makers
take that responsibility seriously. But, the point is simple – they have the
right to make a film and the audience has a right to judge their effort. The
trouble is when I am refused even the right to watch a film and make that judgement.
The trouble is when a few irrational, incompetent, ill informed propagandists
can stop me from making my own judgement. The trouble is when I do not even
know if the film is worth so much thought.
Since, I do not live
within the geographical confines of the ‘Tamil Nadu’ I did have the right to
see ‘Madras Cafe’. I started writing this review because a fellow
journalist suggested I should. But, I also want to write it because those who
could not watch the film must know that the fuss around it is not worth it. The
irony is that the film says nothing, nothing at all, that is either contrarian
or converse to history as it has been told to us. In fact, my only objection is
that it does not say anything controversial and it could and should have been much
better and said much more. It is just another film. I was disappointed but,
that’s just me.
Before I make a brief
review of the film, may I just remind all the protesting propagandists, that
the LTTE had admitted its role in the Rajiv assassination and their chief was
convicted by Indian courts and was declared a proclaimed offender. Anton
Balasingham even made a desperate effort at expressing regret for that
dastardly act. So, two decades later, when a film is made stating this very
fact you have no reason to object. In fact the film says nothing against
the ‘Tamil Cause’ it even tracks its genesis to the 83 riots. It simply
reiterates a widely accepted version of events.
Kevin Costner starrer
‘JFK’ is one of the finest films made on the conspiracy theories behind the
Kennedy assassination. I hope, someday, we make something as powerful on the
Rajiv Gandhi assassination. As for ‘Madras Cafe’ it is nowhere near a master
piece or a memorable film I would want in my collection. Unfortunately, it was based
on a topic that deserved much better. There were moments when I thought it was
a tragic joke and there were moments when it was gripping.
To start with, John
Abraham just did not fit the part of a RAW agent in the first half. In
fact, I thought the whole portrayal of a RAW agent in a war zone was pathetic.
That a journalist (Nargis Fakhri) would be aware of his activities made it even
more hilarious. I mean, we can't be so raw while portraying the RAW. It would
not have taken too much hard work to find out the real nature of the operations
of the LTTE, the RAW and the Sri Lankan forces. The fact that the research was
superficial was proven by the omission of portrayal of important events like
Pirabhakaran’s visit to Delhi and a failed attempt on Rajiv Gandhi's life in
Colombo. The refusal to make the plot more complex by studying details of the
investigations also reflected in the final script. None of this was even
touched upon and would have only added to the script. The trouble is that the
film made the plot, the issue, superficial and simple.
Staying with the first
half, I must mention that the most hilarious part was when the RAW chief has a
meeting with the number 2 in the ‘tigers’ hierarchy. The conversation
that unfolds is hilarious and it was as if the director just needed a small
link to get to the next bit of the story. Here again the director decided to
add his imagination to history. But, at the end of the day it is a piece of
fiction which comes with a disclaimer and so we forgive the confusion between
fact, fiction and the marriage between the two.
In the second half the
movie does get better. Here you have the chatter between Jaffna, London,
Singapore, Bangkok and Chennai. The assassination conspiracy begins to unfold
and as the plot grips the actors lose their grip. Laboured acting by those
playing key roles like a source in Bangkok (Dibang), RAW Chief (Siddaratha
Basu) proved costly. Our very own RAW agent was better in the second half and a
worthy mention in the acting department was Prakash Belawadi’s performance as
the RAW Chennai station chief. The conspiracy plot left me wanting more. The
technical side had done their job well. The editing and cinematography were
particularly commendable. I just wish the director had worked as hard on the
conspiracy and history as he did on making it into a film. Even the actors who
played the role of SL Tamils, who facilitate the assassins, were not true to
the Tamil accent.
The trouble is that I am
comparing it with a JFK or a Valkyrie and that is extremely unfair. Net -net it
was high time we had someone attempt a film on the assassination. I just wish
it was a better attempt. I may wish it was more fact than fiction but, the
bottom line is simple – there is nothing wrong about the film and something
wrong, terribly wrong, with those who are protesting against its release.
History has many versions and Madras Cafe is just a film maker’s
imagination of partial facts from widely accepted versions of a tragic event.
Let it pass.
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